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陌一飞

人物简介

陌一飞,2002年加入上海4A广告公司,开始广告人的征途。2007年加入资深TBWA团队,并在第二年获得戛纳广告节金狮奖,成为中国大陆第一支捧回金狮的团队。同年,受邀参与《小时代1.5青木时代》漫画绘制工作。现为上海最世文化发展有限公司签约漫画家。

相关报道

进入夏天,陌一飞把自己的QQ签名改成了“可以光着膀子好好画一场”。她正在赶《小时代》漫画版第三本的稿子,从插画师到漫画家,转型转得自然而然。

画过《最小说》的封面,捧过戛纳广告金狮奖,陌一飞被称为“国内顶级插画师”。但她告诉记者,国内其实不缺插画高手,缺的是动漫牛人。

插画画出一座戛纳金狮奖

陌一飞来自江苏常州,目前住在上海,是郭敬明旗下的签约作者。和许多“80后”一样,她看日本漫画长大,“我小时候就喜欢画漫画,高三时在《少年漫画》上首发作品。”在大学,陌一飞不喜欢自己就读的环境艺术专业,尽管“不务正业”地画起插画和漫画,但她的作品里却到处有“环境艺术”的影子,一如《小时代》里光影熙攘的都市。

2000年前后,国内一批动漫杂志纷纷倒闭,漫画的空间陡然缩小。陌一飞无法以此为业,在2004年毕业后,她加入了广告公司。因为担任一则阿迪达斯广告的美术指导,她成为中国大陆第一支捧得戛纳广告金狮奖团队的一员。“翻画”的郭敬明小说《小时代》,则成为她的第一本漫画长篇。

插画高手可以月入数万

在广告公司,陌一飞以插画、广告画为主,而转攻漫画,她觉得顺理成章,“其实国内不缺好的插画师,一抓一大把。缺的是漫画家。”

陌一飞介绍,现在国内许多画插画的人都集中在广告公司或游戏公司,为广告和电脑游戏设计人物、场景。因为这些公司集中在北京、上海,所以插画师也如影随形,“仅仅在网上传画稿是不行的,因为客户可能在这一秒钟否定你的方案,下一秒就要新方案,必须面对面沟通。”

陌一飞还表示,画插画现在也能成为生存之道,许多插画师直接从欧洲拿到订单,为当地的广告或动漫配插图。她听说过一些拥有固定客户的插画高手可以月入数万元,“不过那已经属于拿命换钱了。”她笑着说。拿不到钱的插画师也有,但比起拖欠网络写手、作家稿费的情况,插画师要好很多,“我们可以先传一个低精度的样品给对方,条件谈好了再给原作,这样权益可以得到保障。”

陌一飞说,插画画多了,会自然想挑战漫画,“插画往往只是一个场景,不像漫画,还需要构思情节、分镜头等,更有挑战性。”

行业软肋在于风格缺失

其实,在过去许多出版物,尤其是小说里,插画也非常常见,只不过过去的插画更加写实,和“80后”们带来的日式插画,在风格上截然不同。“这是没办法的,因为现在画插画的孩子都是从看日本漫画成长起来的,因为喜欢才会动手去创作。”陌一飞说。

尽管如此,陌一飞仍然非常尊敬过去的“插画师”们,“那些插画与文字非常契合,可以看出是在用心血作画,不像现在,很多人只是为了钱,于是从这幅画里‘借’一双眼睛,那幅画里‘借’一个造型,拼在一起就成了他的作品。个人风格仍然是国内许多插画师最缺的东西。”

咟喥咟萪

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